Others, particularly in the towns, opted for a more full on Roman style of worship, even if the old native traditions still underpinned the rituals. Some had wooden buildings and few, if any, featured classical images of gods. This is reflected in the archaeology of their temple sites. Present day experts have found that ancient people chose their forms of worship, rather than having religions imposed upon them.Īncient communities could preserve Iron Age traditions or adopt aspects of Roman classical religion. The female names were usually derived from Celtic languages, while the male gods were from the classical Graeco-Roman pantheon, implying some sort of “marriage” between them and by extension, the synthesis of local culture with that of Imperial Rome.īut this theorising was a reflection of 19th and 20th century colonial thinking. Scholars of ancient religion in the Celtic north west regions of the Roman Empire (of which ancient France was a major part) used to regard a double temple arrangement as a dedication to a divine pair, one male and the other female, such as Apollo and Sirona or Mercury and Rosmerta. This design is typical of Romano-Celtic temples (found in modern France, parts of Belgium, Germany, Switzerland and the north-west provinces of the Roman Empire). Two buildings were at the core of the site – a square within a square, one slightly smaller than the other. But the site also had clay figurines of Venus and the mother goddesses, leading to uncertainty about which deity was worshipped there. It was the discovery of a fine bronze statuette of Mars that suggested the temple may have been a shrine to the god. They speculated that it had probably been used by Roman soldiers for hundreds of years to pay homage to Mars, the god of war. Where appropriate, other trademarks & copyrights remain property of their owners.In April, archaeologists excavating at La Chapelle-des-Fougeretz, in Britanny, France, announced that they had discovered a large Roman temple, dating between the late first century BC and fourth century AD. Site design, phrasing, and other local content copyright 2004-2023 by The Internet Pinball Database™. Instruction Manual (includes schematics) ( Availability limited by copyright)įlyer - How to play MARS, god of war ( Availability limited by copyright)Īll copyrighted and trademarked Gottlieb ® material licensed from Gottlieb Development LLC.Ĭopyrighted and trademarked material from Planetary Pinball Supply, Inc ® used with permission.Īll photographs licensed from original photographers, who retain their copyright. PinMAME Romset ( Availability limited by copyright) Mike Pacak's Pinball Flyer Reference Book G-R "The mighty warrior of the gods challenges you."įlip! Flash! Pinball Art, Items 23 and 24 An image of the drawing was published in the book "The Empire Strikes Back Sketchbook", released in June 1980, which was shortly after the movie's release in May 1980. The spaceships depicted on the game's playfield, playfield plastics, and backglass are remarkably similar to a preliminary production artwork drawing of a snowspeeder for The Empire Strikes Back film, drawn by Star Wars concept artist, Joe Johnston, in February 1978. The Last Chance feature (operator option) releases locked balls into play when the last ball dra ins via either the left or right outlane rollover.įirst Gottlieb game with speech, generated by a Votrax SC-01. View at The Internet Pinball Serial Number Database () (External site)įlippers (4), Pop bumpers (4), Slingshot (1), 4-bank drop targets (2), Kick-out holes (2), Spinning target (1), Standup target (1), Multiball. Gottlieb & Company, a Columbia Pictures Industries Company (1977-1983) Internet Pinball Machine Database: Gottlieb 'Mars God of War'
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